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The first e-mail is from Natalie Lobe to [i]G.W. Review[/i] asking for a written release of one of her poems "Pineapple Love Song"; Follow up e-mail from [i]G.W. Review[/i] editor-in-chief Liza Blake confirms release of poem.

Scope and Contents From the Collection: The collection is housed in 136 boxes (the first 135 labeled by Bixby himself) which document the creative output of March Street Press between 1992 until 2009. The bulk of the collection contains correspondence between the editor (Robert J. Bixby) and authors, manuscripts, proofs, copyright documents, photographs, cover art and ephemera. It also contains a complete run of the magazine, Parting Gifts, as well as copy of each book published by the press. The...

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Starts with a page saying "October 23 corrections" followed by [i]Connected Voices[/i] title page, publishing information, and backpage

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E-mail about the latest changes to her manuscript

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E-mail contains a corrected manuscript of [i]Connected Voices[/i] with further editing from Bixby

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Letter is regarding the rights to Lobe's poem "Sculpture in Usha's Living Room"; came with a note from Carol and Laverne giving Lobe congratualtions

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Letter is regarding the rights to Lobe's poem "At the Rim"

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Letter is regarding the rights to Lobe's poem "Reckoning"

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Letter is regarding the rights to her poem "Henrietta's Garden"

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In the letter, Lobe says that she will acknowledge the two poems of hers that were published in [i]Blue Unicorn[/i] before being published in [i]Connected Voices[/i], then requests Iodice's signature of release for the two poems.