Skip to main content

Box 9

 Container

Contains 71 Results:

Dolores. By Judson Crews, 1982-02-04

 Item — Box: 9, Folder: 4
Identifier: Item 23
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-02-04

It is not that the pear tree is not mine. By Judson Crews, 1982-06-03

 Item — Box: 9, Folder: 4
Identifier: Item 28
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-06-03

the slander that defiled the pale of wished. By Judson Crews, 1982-08-03

 Item — Box: 9, Folder: 4
Identifier: Item 29
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-08-03

The birds of the season are not. By Judson Crews, 1982-09-03

 Item — Box: 9, Folder: 4
Identifier: Item 30
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-09-03

We ate green apples and puked. By Judson Crews, n.d.

 Item — Box: 9, Folder: 4
Identifier: Item 31
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: n.d.

How bright the morning sun was, penetrating. By Judson Crews, 1982-18-04

 Item — Box: 9, Folder: 4
Identifier: Item 32
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-18-04

If those memories have lifted me, how. By Judson Crews, 1982-18-04

 Item — Box: 9, Folder: 4
Identifier: Item 33
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-18-04

A stubble of charred forest, several. By Judson Crews, 1982-18-04

 Item — Box: 9, Folder: 4
Identifier: Item 34
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-18-04

I have not named anything it's name. By Judson Crews, 1982-18-04

 Item — Box: 9, Folder: 4
Identifier: Item 35
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-18-04

It's waking-you awoke me. It's bright (for carol). By Judson Crews, 1982-03-04

 Item — Box: 9, Folder: 4
Identifier: Item 36
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-03-04