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Box 9

 Container

Contains 71 Results:

She had a hell of a time getting it. By Judson Crews, 1982-07-04

 Item — Box: 9, Folder: 4
Identifier: Item 67
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-07-04

The wrenched conjuctions. Not the mind. By Judson Crews, 1982-17-04

 Item — Box: 9, Folder: 4
Identifier: Item 68
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-17-04

A widow hood in heeding wonder. By Judson Crews, 1982-17-04

 Item — Box: 9, Folder: 4
Identifier: Item 69
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-17-04

If it is an object I've to stike out what. By Judson Crews, 1982-17-04

 Item — Box: 9, Folder: 4
Identifier: Item 70
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-17-04

His hat was on straight as he approached. By Judson Crews, 1982-18-04

 Item — Box: 9, Folder: 4
Identifier: Item 20
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-18-04

how many crushed skills they found By Judson Crews, 1982-02-04

 Item — Box: 9, Folder: 4
Identifier: Item 21
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-02-04

he was walking sideways on one leg. By Judson Crews, 1982-02-04

 Item — Box: 9, Folder: 4
Identifier: Item 22
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-02-04

Among the craggy rocks, among. By Judson Crews, 1982-02-04

 Item — Box: 9, Folder: 4
Identifier: Item 24
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-02-04

then the children came, scattering. By Judson Crews, 1982-02-04

 Item — Box: 9, Folder: 4
Identifier: Item 25
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-02-04

You pitiful fucker out of nowhere, dead. By Judson Crews, 1982-05-03

 Item — Box: 9, Folder: 4
Identifier: Item 26
Scope and Contents From the Collection: This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates: created: 1982-05-03