Box 9
Container
Contains 260 Results:
I used to. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 21
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
Now your breasts. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 22
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
what. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 23
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
is that. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 24
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
a shuck. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 25
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
twat. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 26
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
The good. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 27
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
It's why. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 28
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
The hermit's. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 29
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
Strangely perched. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 30
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.