Box 9
Container
Contains 260 Results:
I came back to that same desolate place. By Judson Crews, edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 7
Identifier: Item 1
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
She found her heights in. By Judson Crews, edited by Judson Crews, n.d.
Item — Box: 9, Folder: 7
Identifier: Item 2
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
a storm of sand, not like fog. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 7
Identifier: Item 3
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
The birds of the season are not. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 7
Identifier: Item 4
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
Don't tell me the wind has not changed. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 7
Identifier: Item 5
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
God and the devil. Why. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 7
Identifier: Item 6
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
Your cracked hero worship for men. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 7
Identifier: Item 7
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
To die to give freedom back again. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 7
Identifier: Item 8
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
An ingenious story, some said. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 7
Identifier: Item 9
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
Goddamn, She had a beautiful ass. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 7
Identifier: Item 10
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.