Box 9
Container
Contains 260 Results:
How bright the morning sun was, penetrating. By Judson Crews, 1982-18-04
Item — Box: 9, Folder: 4
Identifier: Item 32
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: 1982-18-04
If those memories have lifted me, how. By Judson Crews, 1982-18-04
Item — Box: 9, Folder: 4
Identifier: Item 33
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: 1982-18-04
A stubble of charred forest, several. By Judson Crews, 1982-18-04
Item — Box: 9, Folder: 4
Identifier: Item 34
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: 1982-18-04
I have not named anything it's name. By Judson Crews, 1982-18-04
Item — Box: 9, Folder: 4
Identifier: Item 35
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: 1982-18-04
It's waking-you awoke me. It's bright (for carol). By Judson Crews, 1982-03-04
Item — Box: 9, Folder: 4
Identifier: Item 36
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: 1982-03-04
I am still as stone. By Judson Crews, 1981-29-12
Item — Box: 9, Folder: 4
Identifier: Item 37
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: 1981-29-12
How many bright, dashing (or lasting). By Judson Crews, 1981-30-12
Item — Box: 9, Folder: 4
Identifier: Item 38
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: 1981-30-12
All the wild dogs that gape By Judson Crews, 1981-30-12
Item — Box: 9, Folder: 4
Identifier: Item 39
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: 1981-30-12
Melodia you will not find. By Judson Crews, 1981-30-12
Item — Box: 9, Folder: 4
Identifier: Item 40
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: 1981-30-12
Is it winter's amusement. By Judson Crews, 1982-01-01
Item — Box: 9, Folder: 4
Identifier: Item 41
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: 1982-01-01