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Box 6

 Container

Contains 16 Collections and/or Records:

Whirligig by Christopher Salerno

 File — Box: 6, Folder: 1
Identifier: Folder 1
Scope and Contents The collection is housed in 136 boxes (the first 135 labeled by Bixby himself) which document the creative output of March Street Press between 1992 until 2009. The bulk of the collection contains correspondence between the editor (Robert J. Bixby) and authors, manuscripts, proofs, copyright documents, photographs, cover art and ephemera. It also contains a complete run of the magazine, Parting Gifts, as well as copy of each book published by the press. The...

Letter from Christopher Salerno to March Street Press

 Item — Box: 6, Folder: 1
Identifier: Item 1
Scope and Contents Salerno is asking March Street Press to read his manuscript for Whirligig and offers a brief bio of himself. Additionally, the letter comes with its envelope.

Manuscript for Christopher Salerno's Whirligig

 Item — Box: 6, Folder: 1
Identifier: Item 2
Scope and Contents Comes with a note saying "Oops! I didn't bring enough cash to post office for book-sized SASE but I will order something online im sure!"

Why Heron is Blue by Diane Sauter

 File — Box: 6, Folder: 2
Identifier: Folder 2
Scope and Contents The collection is housed in 136 boxes (the first 135 labeled by Bixby himself) which document the creative output of March Street Press between 1992 until 2009. The bulk of the collection contains correspondence between the editor (Robert J. Bixby) and authors, manuscripts, proofs, copyright documents, photographs, cover art and ephemera. It also contains a complete run of the magazine, Parting Gifts, as well as copy of each book published by the press. The...

Letter from Diane Sauter to Robert Bixby, 2006-06-13

 Item — Box: 6, Folder: 2
Identifier: Item 1
Scope and Contents Letter contains the CD with the cover image for [i]Why Heron is Blue.[/i]

Letter from Andy Cook, artist of the cover image for Why Heron is Blue, to Robert Bixby, 2006-04-11

 Item — Box: 6, Folder: 2
Identifier: Item 2
Scope and Contents The artist Cook approves of Bixby flipping the image of the Blue Heron painting on the cover. The letter is to get Cook's approval down in writing. The letter also comes in an envelope.

Why The Heron is Blue, 2006-01-01

 Item — Box: 6, Folder: 2
Identifier: Item 3
Scope and Contents The manuscript for [i]Why The Heron is Blue[/i] containing several edits to it.

The Procedure by JodiAnn Stevenson

 File — Box: 6, Folder: 3
Identifier: Folder 3
Scope and Contents The collection is housed in 136 boxes (the first 135 labeled by Bixby himself) which document the creative output of March Street Press between 1992 until 2009. The bulk of the collection contains correspondence between the editor (Robert J. Bixby) and authors, manuscripts, proofs, copyright documents, photographs, cover art and ephemera. It also contains a complete run of the magazine, Parting Gifts, as well as copy of each book published by the press. The...

Letter from JodiAnn Stevenson to Robert Bixby, 2006-08-27

 Item — Box: 6, Folder: 3
Identifier: Item 1
Scope and Contents Letter states that Stevenson enclosed copies of the permission granting e-mails from everyone who wrote a blurb as well as a copy of the manuscript

The Procedure by JodiAnn Stevenson

 Item — Box: 6, Folder: 3
Identifier: Item 2
Scope and Contents Scan of the fron cover of [i]The Procedure[/i] and a brief bio of Stevenson with the press company 27 rue fleurs circled in purple marker.