Box 9
Container
Contains 260 Results:
I have gone down in praise on several. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 7
Identifier: Item 11
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
Poetry Packet set #8 : Judson Crews (edited by Carol Bergé)
File — Box: 9, Folder: 8
Identifier: Folder 8
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
1978-1987
How bright the morning. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 8
Identifier: Item 1
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
She had a hell of a time getting it. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 8
Identifier: Item 2
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
It is almost as if there was never. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 8
Identifier: Item 3
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
If we set out to find an ocean we found. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 8
Identifier: Item 4
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
A stubble of charred forest, severa. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 8
Identifier: Item 5
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
I have not named anything it's name. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 8
Identifier: Item 6
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
If those memories have lifted me, how. By Judson Crews edited by Carol Bergé, n.d.
Item — Box: 9, Folder: 8
Identifier: Item 7
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
created: n.d.
Poetry Packet set #9 : Judson Crews (edited by Carol Bergé)
File — Box: 9, Folder: 9
Identifier: Folder 9
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
1978-1987